Three Tips When Hiring a Professional Writer

I’ve been a professional writer for 29 years now—actually, more than 29 years—and have worked both as an employee and as an independent consultant.

Whether you’re hiring an employee to write for you, or contracting with a content marketing expert to create content for you, I have some views on the things that your firm can do to ensure that your writer does great things for you. There are many things your firm can do, but three critical things are:

  1. Set expectations up front.
  2. Ask if your professional writer can do what you need.
  3. Communicate clear and realistic deadlines.

Set expectations up front

Most employer job descriptions are nothingburgers. They have to be vetted and standardized to fit the needs of the entire company. And because they’re so onerous to produce, they aren’t updated all that often.

And when you get to the work instructions, they often are too generic. “Write about our facial recognition solution,” in and of itself, could yield a bunch of different outputs, most of which you won’t like.

So when you approach your potential employee or contractor, provide details that go beyond the written word.

What is the measure of success (or failure) for this position or contract?

Why is your firm doing what you are doing?

What do you REALLY need your employee/contractor to do?

Ask if your professional writer can do what you need

Note that I didn’t say “ask if your professional writer is experienced in doing what you need.” Sometimes professional writers are perfectly capable of doing things they have never done before.

  • Before I started writing software user manuals for Logic eXtension Resources, I had never written a software user manual.
  • Before I contracted with Printrak, I had never written a proposal before.
  • Before I became a product manager at Printrak (and Motorola), I had never written a marketing requirements document.
  • Before I handled U.S. social media for MorphoTrak, I had never tweeted or written other social media content professionally.
  • Before I wrote a dozen case studies for a confidential Bredemarket client, I had never written a single one.
  • Before I managed the creation of over 80 battlecards for Incode Technologies, my battlecard experience was limited.

So why did these companies trust me to work on these tasks?

Because they determined that experience I did have was transferable to the tasks at hand.

For example, I got the job at Logic eXtension Resources because the owner knew that I had graduated from Reed College, which had an undergraduate thesis requirement. The owner figured that if I could write at length about the efficiency and equity of the Land and Water Conservation Fund Act of 1965, I could write at length about the operation of the multiCALC software program.

Now there’s always a risk when trying a writer on something new. But frankly, there’s always a risk when trying a writer on something old. Maybe my battlecard experience won’t help you if you need battlecards for Russian nuclear submarine manufacturers. (NIST does not compile comparative performance information for Russian nuclear submarines.)

But whatever you do, you need to ensure that the work you need aligns with the professional writer’s potential capabilities.

Communicate clear and realistic deadlines

Usually, some piece of work is due by a certain date.

Note that I didn’t say that work is always due by a certain date. In some cases, the work is needed “whenever,” which may mean next year.

Sometimes firms say that a piece of work is needed “ASAP.” Frankly, this isn’t a due date. If something is needed ASAP, am I supposed to stop all other work and all other bodily functions including eating and sleeping until it is done?

Now I understand that dates may slip as priorities change, and that in most cases the work that I am performing is not the most important work that the firm needs to complete. Plus, things change.

  • Perhaps Project X is very critical one week, but during the next week external factors mean that Project Y has become more critical. Hey, that happens—as long as the priorities aren’t constantly changing on a weekly basis.
  • Or maybe Project Y is due, but something that is necessary for Project Y isn’t ready yet so the due date for Project Y has to change out of necessity.

So when you communicate a completion date for a project:

  1. Make sure it’s a date, not “ASAP” or “whenever.”
  2. Communicate any necessary dependencies, such as “we need this by Friday the 28th, but that assumes that we receive the material from the third party by Friday the 21st.”
  3. Update as situations change.

Which Content Should You Create First?

So you’ve decided that you are going to create some content for your business. But which content type should you create first? Audio? Blog post? Case study? Social media post? White paper? Video? Something else?

Designed by Freepik.

Now I could charge you $96.96 and present a really complex 96-step way to choose the appropriate content to create for your specific needs.

(A few of you see what I did there. That probably doesn’t help my so-called problem.)

But coming up with a complex content creation matrix is silly, because selecting a content type isn’t that hard. (This post does have a content creation matrix, but it’s easy to understand and pretty straightforward.)

The first question

What is the first question you have to answer before deciding which content to create?

First, you need to look at your online presence and see which outlets you have, and which ones you don’t have.

  • Do you have a website?
  • Do you have a blog?
  • Do you have social media accounts? If so, which ones, and which types of content do they support? (Threads, for example, supports text, image, audio, and video content.)

If you don’t have a certain outlet, then that makes your decision a lot easier.

  • For example, if you have social media outlets but don’t have a blog, then don’t worry about creating blog posts (unless you have LinkedIn and want to create LinkedIn articles). You’re not going to create blog posts on Instagram or Threads or Twitter (unless you’re a blue check person).
  • Similarly, if you’re not on YouTube, TikTok, or Instagram, videos are less important. (Although a lot of services support video.)

Create content for your outlet(s)

So now that you know which content outlets you have, and which you don’t, you can create content that is supported by your outlets.

Here’s a handy-dandy table that suggests the content types you can create, depending upon your online presence. These are suggestions, not hard and fast rules.

Content TypeWebsiteBlogSocial Media With AudioSocial Media With ImagesSocial Media With TextSocial Media With Video
AudioYes
BlogYes
Case StudyDownload
Social Media PostYesYesYesYes
VideoYes
White PaperDownload

Some of these are fairly obvious (yes, if you have a blog you can create blog posts), but it helps to say them.

Don’t worry about the content outlets that you don’t have. If you don’t have a blog today, don’t worry about creating one just so you can write blogs. Go with what you have.

(And if you don’t have ANYTHING right now to promote your business, then the easiest thing to do is to create some type of social media account: Facebook, LinkedIn, whatever. They’re free, and it’s easy to create content for them.)

As I said above, these are suggestions, not hard and fast rules. For example, the table above says that case studies and white papers are best if you have a website from which prospects can download documents. But some social media services allow you to embed documents (such as case studies or white papers) into your social media posts.

Think about what you’ve got, and create for it.

Repurpose

And once you’ve created the content, don’t be afraid to distribute it on other channels, or even to repurpose it on other channels.

  • Have you uploaded a great video to YouTube? Embed the video in a blog post.
  • Did you write a great blog post? Repurpose it as a downloadable document. (That’s what I did.)

You may choose to only issue a specific piece of content using a single content type. But if you feel like repurposing the material for other content types, go for it.

Don’t be afraid to fail

Finally, don’t be afraid to create content, even if it’s not perfect. I’ve (re)committed myself to video, and spent yesterday creating multiple videos for multiple outlets. Two of the videos that I created ended up having problems…but I left them up anyway, and learned in the process.

I figure that the more content that I create, the better that I will get at it.

You will find that the same holds true for you.

Do you need help with textual content?

Now when you are ready to create content, do you need someone to help you create it?

I can help you with certain types of content.

(Not video. If you need a video pro, contact Loren Feldman at 1938 Media.)

But if you need help with the text for blog posts, case studies, white papers, and the like, I can help you. Especially if your text involves biometrics, identity, or technology. Contact me!

Which Content Should You Create First? (the video version)

A Video About the Bredemarket 400 Short Writing Service

In case you like to consume your information in video form, here’s a video about my Bredemarket 400 Short Writing Service, for text of between 400 and 600 words.

About the Bredemarket 400 Short Writing Service.

If you prefer to read your information rather than watch it, you can do that also.

In either case, if you are interested in the Bredemarket 400 Short Writing Service:

When the “Wrong” Content Goes Viral

Have you ever had a piece of content go viral, but wish that ANOTHER piece of content had gone viral instead? Join the club.

Three examples of unintentional viral content

Here are three examples in which the “wrong” content went viral. Two of the examples are personal, but the first example has nothing to do with me, the Internet, or even the 21st century.

Example 1: Steam behind the wrong song

Back in the 1960s, a singer named Gary DeCarlo was working under the pseudonym Garrett Scott. “Garrett Scott” needed a single, so he was slotted to record a song called “Sweet Laura Lee.”

Because it was a 1960s single, it needed to have a B-side. You couldn’t let all that vinyl on the back of the record go to waste. Any song would do, since it was just filler for “Sweet Laura Lee.”

So DeCarlo and two of his friends resurrected a 1961 song called “Kiss Him Goodbye,” went to the studio, added a silly chant because the 1961 song lacked a chorus, and cranked out the B-side in an evening session. They did it so quickly that the chorus didn’t even have any real words, just “na na.” Actually, the B-side was SUPPOSED to be bad so that disc jockeys would play the A-side:

B-sides in the ’60s were often ad-hoc affairs designed to be clearly inferior to the A-side so that disc jockeys wouldn’t flip the record. The three musicians who recorded this had that in mind for this song, and kept it simple: there is no bass or guitar on the track….

From https://www.songfacts.com/facts/steam/na-na-hey-hey-kiss-him-goodbye

The song “Sweet Laura Lee” went nowhere, but who cares? The record company liked the B-side, invented a fake band name Steam, and the song “Na Na Hey Hey Kiss Him Goodbye” went to the number 1 position on the Billboard charts. A real band named Steam was formed and went on tour…without Gary DeCarlo (although DeCarlo received songwriting royalties).

From https://open.spotify.com/track/5xMLcSEstX1jN4arpNXqtX

Example 2: Becoming the unintentional Shipley expert

Fast forward to the 21st century and my creation of blog content for Bredemarket.

I needed to populate my blog with both content marketing-related content and proposal-related content, so in December 2021 I wrote a post entitled “96 Smiles: All about the Shipley Business Development Lifecycle.” I’ve been familiar with the Shipley lifecycle for decades, but probably not as familiar as hundreds if not thousands of proposal practitioners.

But I’m the one who wrote the blog post about it.

And it kinda sorta became popular. I went to Google on Friday morning and searched for the words shipley 96 step, and these are the results:

So now, right behind Shipley Associates itself, the next leading authority on the Shipley Business Development Lifecycle is…ME.

So now the bredemarket.com website is getting all sorts of traffic related to Shipley, and my Ubersuggest account is, um, suggesting that I optimize the website to capture even more Shipley traffic.

Except that I’m not really doing much with the Shipley process itself; I just talked about it.

Of course, the traffic may have nothing to do with capture and proposal management, since the post makes several explicit and implicit references to the ? and the Mysterians song “96 Tears.”

From https://open.spotify.com/track/4PEeZ2U4UfP2Jo8EtIOjus

You may detect a music theme in these examples. It gets better.

Example 3: When neglected music becomes more popular than my current gig

Bredemarket started in August 2020, but it isn’t my first foray into Internet money-making.

I’ve been creating instrumental music for decades, and in 2017 I started creating and selling music on Bandcamp under the name “Ontario Emperor.” While I haven’t created any new music there since 2019, and while I haven’t done any promotion in years, I did do a little bit of promotion back in 2017, going so far as to set up a Facebook page called “ontarioemperor,” which I’ve mostly ignored.

What I HAVEN’T ignored is the slew of social media channels for Bredemarket. Some of you are aware of this, since you’ve recently received invitations from me to follow Bredemarket on LinkedIn, Facebook, Instagram, Threads, TikTok, and YouTube. If you haven’t, feel free to click on the appropriate links and subscribe now.

So as I’ve been building up my Bredemarket social/content presence and spending a lot of time on this, I received a notification from Facebook this week that, with no effort on my own, my neglected ontarioemperor Facebook page now has over 600 followers.

So as long as you’re following me everywhere else, go ahead and follow me there also.

Now I’m not sure how much Ontario Emperor’s Facebook popularity can benefit Bredemarket, since there’s little or no discernable overlap between synthetic music fans and people requiring marketing and writing services. But who knows? I could be wrong there also.

Sadly there is no Spotify link here since Ontario Emperor’s music has never been uploaded to Spotify, but you can listen to the song “For a Meaningful Apocryphal Animation” on Bandcamp. Coincidentally, I recently posted a free version (with no listening restrictions) on one of the Bredemarket web pages. Or you can listen to it below.

“For a Meaningful Apocryphal Animation.” Recorded May 15, 2017 in Ontario, California. Composed by John E. Bredehoft. © All rights reserved.

A final thought

Jerry Springer. By Justin Hoch, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=16673259

So sometimes things you want to promote don’t get popular, and things you don’t necessary want to promote get popular.

Rather than being disappointed, just go with the flow, say “na na” to the naysayers, and speak about Shipley with soothing instrumental music behind you.

Take care of yourself, and each other.

There Are Just Five Factors of Authentication. (I want the job.)

As some of you know, I’m seeking full-time employment after my former employer let me go in late May. As part of my job search, I was recently invited to a second interview for a company in my industry. Before that interview, I made an important decision about how I was going to present myself.

If you’ve read any of Bredemarket’s content, there are times when it takes a light tone, in which wildebeests roam the earth while engaging in marketing activities such as elaborating the benefits of crossing the stream.

By Danijel Mihajlovic – https://thenextcrossing.com/wildebeest-migration-kenya, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=96024366

Some of that DOES NOT fly in the corporate world. (For most companies, anyway.) If you analyze a wide selection of corporate blogs, you won’t see the word “nothingburger.” But you do here.

So as I prepared for this important job interview, I made sure that I was ready to discuss the five factors of authentication, and my deep experience as an identity content marketing expert with many of those factors.

The five factors of authentication, of course, are:

  • Something you know.
  • Something you have.
  • Something you are.
  • Something you do.
  • Somewhere you are.

“But wait a minute,” some of you are saying. “Didn’t you just say that there is a sixth factor of authentication, ‘Somewhat you why?'”

For the purposes of this job interview, there isn’t! I confined myself to the five factors only during the discussion, using examples such as passwords, driver’s licenses, faces, actions, and smartphone geolocation information.

But in the end, my caution was of no avail. I DIDN’T make it to the next stage of interviews.

Maybe I SHOULD have mentioned “Somewhat you why” after all.

Illustrating Fear, Uncertainty, and Doubt for Facility Monitoring

I just ran across an excellent example of how a content marketing expert can raise fear, uncertainty, and doubt (FUD) in the mind of a prospect in the “consideration” phase.

These prospects need people to monitor their facilities and protect them against threats. In today’s world, it’s technically possible for facility monitoring professionals to work from anywhere, including their own homes.

Rapid Response Monitoring wants to discourage this.

Our preparation gives us the endurance to continuously provide professional monitoring services from within our hardened facilities. Since our founding, our choice has been to keep critical monitoring operations staff on-site. Monitoring from home provides lower-quality service (security issues/distractions). We believe you deserve more.

From https://www.rrms.com/in-facility-monitoring/

Now Rapid Response Monitoring writes a lot more about why its solution is better, and you can read those words here.

But what about pictures?

There is a relationship between words and pictures, with the most famous relationship expressed as “a picture is worth a thousand words.” (Artists may say that a picture is worth many more words.)

Take a look at Rapid Response Monitoring’s picture and see what this communicates to prospects in the consideration phase for facility monitoring services.

The Difference Between Identity Assurance Levels 2 and 3

It’s been years since I talked about Identity Assurance Levels (IALs) in any detail, but I wanted to delve into two of the levels and see when IAL3 is necessary, and when it is not.

But first, a review

If the term “identity assurance level” is new to you, let me reprint what they are. This is taken from my December 3, 2020 post on identity assurance levels and digital identity.

The U.S. National Institute of Standards and Technology has defined “identity assurance levels” (IALs) that can be used when dealing with digital identities. It’s helpful to review how NIST has defined the IALs.

Assurance in a subscriber’s identity is described using one of three IALs:

IAL1: There is no requirement to link the applicant to a specific real-life identity. Any attributes provided in conjunction with the subject’s activities are self-asserted or should be treated as self-asserted (including attributes a [Credential Service Provider] CSP asserts to an [Relying Party] RP). Self-asserted attributes are neither validated nor verified.

IAL2: Evidence supports the real-world existence of the claimed identity and verifies that the applicant is appropriately associated with this real-world identity. IAL2 introduces the need for either remote or physically-present identity proofing. Attributes could be asserted by CSPs to RPs in support of pseudonymous identity with verified attributes. A CSP that supports IAL2 can support IAL1 transactions if the user consents.

IAL3: Physical presence is required for identity proofing. Identifying attributes must be verified by an authorized and trained CSP representative. As with IAL2, attributes could be asserted by CSPs to RPs in support of pseudonymous identity with verified attributes. A CSP that supports IAL3 can support IAL1 and IAL2 identity attributes if the user consents.

For purposes of this post, IAL1 is (if I may use a technical term) a nothingburger. It may be good enough for a Gmail account, but these days even social media accounts are more likely to require IAL2.

And it’s worthwhile to mention (as I did before) that in practice, IAL3 may not require physical presence.

IAL3: In-person or supervised-remote identity proofing is required.

From https://id4d.worldbank.org/guide/levels-assurance-loas

So what’s the practical difference between IAL2 and IAL3?

If we ignore IAL1 and concentrate on IAL2 and IAL3, we can see one difference between the two. IAL2 allows remote, unsupervised identity proofing, while IAL3 requires (in practice) that any remote identity proofing is supervised.

Designed by Freepik.

Much of my time at my previous employer Incode Technologies involved unsupervised remote identity proofing (IAL2). For example, if a woman wants to set up an account at a casino, she can complete the onboarding process to set up the account on her phone, without anyone from the casino being present to make sure she wasn’t faking her face or her ID. (Fraud detection is the “technologies” part of Incode Technologies, and that’s how they make sure she isn’t faking.)

From https://www.youtube.com/watch?v=w4Y725Pn5HE

But what if you need supervised remote identity proofing for legal or other reasons? Another company called NextgenID offers this.

From https://www.youtube.com/watch?v=ykDdCgkrMKs

But is this good enough? Yes it is, according to Nextgen.

SRIP provides remote supervision of in-person proofing using NextgenID’s Identity Stations, an all-in-one system designed to securely perform all enrollment processes and workflow requirements. The station facilitates the complete and accurate capture at IAL levels 1, 2 and 3 of all required personal identity documentations and includes a full complement of biometric capture support for face, fingerprint, and iris.

From https://www.nextgenid.com/markets-srip.php

Now there are some other differences between IAL2 and IAL3 in terms of the proofing, so NIST came up with a handy dandy chart that allows you to decide which IAL level you need.

From NIST Special Publication 800-63
Revision 3
, Section 6.1 “Selecting IAL.”

When deciding between IAL2 and IAL3, question 3 in the table above is the most critical. NIST explains the purpose of question 3:

At this point, the agency understands that some level of proofing is required. Step 3 is intended to look at the potential impacts of an identity proofing failure to determine if IAL2 or IAL3 is the most appropriate selection. The primary identity proofing failure an agency may encounter is accepting a falsified identity as true, therefore providing a service or benefit to the wrong or ineligible person. In addition, proofing, when not required, or collecting more information than needed is a risk in and of itself. Hence, obtaining verified attribute information when not needed is also considered an identity proofing failure. This step should identify if the agency answered Step 1 and 2 incorrectly, realizing they do not need personal information to deliver the service. Risk should be considered from the perspective of the organization and to the user, since one may not be negatively impacted while the other could be significantly harmed. Agency risk management processes should commence with this step.

From https://pages.nist.gov/800-63-3/sp800-63-3.html#sec6

Even with the complexity of the flowchart, some determinations can be pretty simple. For example, if any of the six risks listed under question 3 are determined to be “high,” then you must use IAL3.

But the whole exercise is a lot to work through, and you need to work through it yourself. When I pasted the PNG file for the flowchart above into this blog post, I noticed that the filename is “IAL_CYOA.png.” And we all know what “CYOA” means.

But if you do the work, you’ll be better informed on the procedures you need to use to verify the identities of people.

One footnote: although NIST is a U.S. organization, its identity assurance levels (including IAL2 and IAL3) are used worldwide, including by the World Bank. So everyone should be familiar with them.

Is Bredemarket on Your Favorite Social Platform?

(This is outdated. See the May 15, 2024 update.)

If you’re starting out in business, you’ve probably heard the advice that as your business branches out into social platforms, you shouldn’t try to do everything at once. Instead you should make sure that your business offering is really solid on one platform before branching out into others.

Yes, I’ve been naughty again and didn’t listen to the expert advice.

One reason is because of my curiosity. With one notable exception, I’m intrigued with the idea of trying out a new platform and figuring out how it works. Audio? Video? Let’s try it.

And as long as I’m trying it out, why not create a Bredemarket account and put content out there?

So there’s a reasonably good chance that Bredemarket is already on one of your favorite social platforms. If so, why not subscribe to Bredemarket so that you’ll get my content?

Here’s a list of Bredemarket’s text, image, audio, and video accounts on various social platforms. Be sure to follow or subscribe!

  • Apple Podcasts (link here)
  • Google Podcasts (link here)

Which Words Should Your Marketers Use? My Four Suggestions.

I’ve talked about the words “why,” “how,” and “what” and their relation to writing, but I haven’t talked about the word “which.”

Not in relation to sandwiches, but in relation to words.

If you are a marketing executive, you know that the words you use in your marketing content can make or break your success. When your company asks employees or consultants to write marketing content for you, which words should they use?

Here are four suggestions for you and your writers to follow.

  1. Your writers should use the right words for your brand.
  2. Your writers should use the right words for your industry.
  3. Your writers should use words that get results.
  4. Your writers should be succinct.

Your writers should use the right words for your brand

Your company has a tone of voice, and your writers should know what it is. If you can’t tell them what it is, they will figure it out themselves.

Your company has a particular writing style—hopefully one that engages your prospects and customers. Regardless of your writer’s personal style, they must create copy that aligns with your own style. In effect, they put on a “mask” that aligns the words they create with the words that your company needs.

Your writers should use the right words for your industry

Similarly, your company provides products and services in one or more industries, and your copy must align with the terms those industries use, and the way industry participants express themselves.

For example, a writer who is writing content for the biometric industry will use different terms than a writer who is writing content for art collectors because of the differences in the two target audiences.

  • Biometric readers (the people, not the devices) care about matching accuracy measurements, such as those compiled by the U.S. National Institute of Standards and Technology (NIST) in its Face Recognition Vendor Test, or as measured in agency-managed benchmarks. (Mike French’s example.) They often respond to quantitative things, although more high-level concepts like “keeping citizens safe from repeat offenders” (a public safety-related benefit) also resonate.
  • Art collectors care about more qualitative things, such as not being scared of handing over their dream to a commissioned artist whose work will inspire affection. (Well, unless the collector is an art investor and not an art lover; investors use different terminology than lovers.)

So make sure your writers get the words right. Otherwise, it’s as if someone is speaking Italian to a bunch of French speakers. (Kaye Putnam’s example.) Your prospects will tune you out if you use words they don’t understand.

Your writers should use words that get results

There is one important exception to my suggestions above. If your company’s current words don’t result in action, quit using your current words and use better ones that support your awareness, consideration, conversion, or other goals.

If you start talking about your solution without addressing your prospect’s pain points or problems, they won’t know why they should care about your solution.

For example, let’s say that the message you want to give to your prospects is that your company makes wireless headphones.

So what?

The prospect doesn’t care about wireless headphones per se. The prospect cares about the troubles they face with tangled cords, and how your company offers a solution to their problem of tangled cords.

Features are important to you. Benefits are important to your prospects. Since the prospects are the ones with the money, listen to them and talk about benefits that change their lives, not how great your features are.

Your writers should be succinct

I have struggled with succinctness for decades. I could give you countless examples of my long-windedness, but…that wouldn’t be appropriate.

So how do I battle this personally? By creating a draft 0.5 before I create my draft 1. I figure out what I’m going to say, say it, and then sleep on the text—sometimes literally. When I take a fresh look at the text, I usually ruthlessly chop a bunch of it out and focus on the beef.

Now there are times in which detail is appropriate, but there are also times in which a succinct message gets better results.

Selecting your content marketer

If your company needs employees or consultants to write marketing content for you, make sure they create the right content.

If your company’s views on content creation parallel my own, maybe I can help you.

If you need a full-time employee on your staff to drive revenue as your personal Senior Product Marketing Manager or Senior Content Marketing Manager, take a look at my 29 years of technology (identity/biometric) and marketing experience on my LinkedIn profile. If you like what you see, contact me via LinkedIn or at jebredcal@gmail.com.

If you need a marketing consultant for a single project, then you can reach me via my Bredemarket consultancy.